Top 10 Feminist Films, 2000-2010

In which I introduce ten beautiful and innovative stories about women who thrive against the odds set against them. These are stories that allow me a glimpse of a brighter image of women in the film world. My Top 10 Feminist Films of 2000-2010 I invite you to share your thoughts on the topic and…

The Scholar Must Die: Lars von Trier’s ‘Nymphomaniac’

I began to write, at the force of a mental flood, about Lars von Trier’s ‘Nymphomaniac’ parts I and II on the subway the morning after I finished the second film. First, I got down what I thought, beginning with how angry I was that the Scholar character who saves Joe ended up being so…

A Knock-out Drama: the Private World Explored in ‘Concussion’

‘Concussion’: She said “I have to do something.” Abby Ableman reads and vacuums at the same time, fixes up hole-in-the-wall apartments in Manhattan, and spends inordinate amounts of time in cycling classes, amidst the aimless, though healthy-minded chatter of other soccer moms. Most importantly, Abby violently, helplessly curses at her son when he hits her…

Oscars Watch: Cate Blanchett in ‘Blue Jasmine’

Cate Blanchett’s Oscar-winning role in ‘Blue Jasmine’ was the grittiest and most econo-socially relevant of the season. There was the sweetest Dame Judi Dench in ‘Philomena’, the raspiest, most frightening Meryl Streep in ‘August: Osage County’,a sultry, mysterious, and brilliant yet cracked Amy Adams in ‘American Hustle’, and of course Sandra Bullock’s space heroine of…

‘Go for Sisters’ Review

Go for Sisters How many dramatic or crime-centered movies have you seen in your lifetime that had not just one but two female protagonists of color who weren’t maimed or killed halfway through the film and who got what they desired in the final scenes? ‘Go for Sisters’ is the only movie I’ve seen that…

Fading Glamour and Psychological Grit in ‘American Hustle’

Who’s the criminal in a thieving system? In a band of uglies, who’s the worst? We audience members love watching horrible people make bad choices. The length of the average feature length film gives us just the right amount of time to decide who we feel sympathy for, who did the darkest deeds, who deserved…

Blame, Sweet Blame: ‘Enough Said’

With all the makings of a Hollywood romantic comedy, Enough Said is this year’s winner in the category of light-hearted yet beautiful moral film stories. There is a question and an answer in this little gem, and Julia Louis-Dreyfus’s character, Eva, asks and answers: is there a way to prevent heartbreak? The answer is in…

10 Films That Passed the Bechdel Test in 2013 | Tribeca

Here are ten films from 2013 that actually pass the Bechdel Test. This test, which assesses only the most basic presence of women on-screen, is strangely difficult to apply to most American films, but this year you could use count ‘em out on *both* hands. With Sofia Coppola beside Noah Baumbach beside Ridley Scott and…

The Primordial Darkness of ‘August: Osage County’

An alternative tagline for the screen version of August: Osage County could be “Streep and Roberts go darker than ever, fist in fist”. The thriller angle of this drama is seeing these two women, who have stunned audiences in award-winning biopics and the like for decades, revel in portraying what turned out to be possibly…