‘Topaz’: Romance in a Violent World

People fall in love everywhere, all the time. They fall for fellow workers and comrades. They flirt in dirty bomb shelters in much the same way they meet in beautiful marketplaces. Naked, both emotionally and physically, we are all quite similar and circumstances just make us more or less creative about finding ways into one…

The Quiet Lineage of Class War: ‘Little Accidents’

America, “the land of the free”, is a vast space with two borders that bleed drinkable prosperity and a center that struggles to keep the so-called American Dream alive. I hesitate not to explore the ways in which America is impoverished educationally, intellectually, morally, and spiritually. As an American woman, I cannot afford to withhold…

Private Worlds: Hitchcock’s Penchant for Rule-Breakers (“Rear Window”, 1954)

“Rear Window” is a frustrating story to follow. With unbelievable characters and a seriously Mr. Magoo protagonist, I found it tough to watch. Of course that’s naive, because it isn’t about the character’s development- not how cunning they are or how quick their reflexes…there’s so little traditional ego present in the dialogue. This isn’t a…

An excerpt from “Imagining a Cinematic World without Rape”

                          The problem with cinematic gendering is that when it comes in the form of fantasized characters made for the purpose of entertainment, then the foundations are conventions, not innovations. Audiences can connect to the mother figure, but they are not supposed to admire the femme fatale: what happens if they do? Is it because…